A vital, cinematic snapshot of Lebanon and its chaotic state, where the flat rooftops high above the city streets become a hopeful haven for people practising the ritualistic pigeon sport Kash Hamam. Under the golden sun of Beirut, men stand on rooftops and shoot oranges at the sky. They do this to scare their pigeons, make them fly further, and make them stronger. They play the game Kash Hamam, where you have to lure the other players’ pigeons into your own pigeon loft. If you succeed, there’s Kash. And then you cut the feathers off the pigeon. Or feed it to the cats. Lea Najjar’s cinematic debut is a vital portrait of her hometown Beirut. A city hit by a corrupt elite, popular protests and one of the biggest explosions of the 21st century. But also a city where its hard-pressed citizens come together and form communities despite the chaos. On the flat rooftops high above the labyrinthine streets, we meet three men who have bonded over their love of pigeons – and a girl who dreams of entering the masculine game, Kash Hamam. A vivid, impressionistic snapshot from an already eminent director....
