A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
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我用夏天比拟你
影视工场
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我用我的方式爱你
电影先生
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我用我的方式爱你
努努影院
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今夜我用身体恋爱
歪片星球
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今夜我用身体恋爱
牛马TV
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今夜我用身体恋爱
影视工场
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今夜我用身体恋爱
努努影院
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今夜我用身体恋爱 第二季
歪片星球
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这丫环我用不起
歪片星球
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这丫环我用不起
真不卡影院
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这丫环我用不起
LIBVIO
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这丫环我用不起
影视工场
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这丫环我用不起
555电影
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这丫环我用不起
电影先生
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这丫环我用不起
新片库
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这丫环我用不起
1080p.one
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这丫环我用不起
牛马TV
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这丫环我用不起
努努影院
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今夜、我用身体恋爱。第二季
影视工场
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